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Bluehaus designs ergonomic and inviting interiors for Credit Suisseā€™s new Riyadh office

Design Middleeast

Paired with high stools in a contrasting green, it offers a convenient spot for brief meetings or individual work. The design is a dialogue between space, form, and function, with each element contributing to a cohesive narrative of tranquility and openness,” elaborates Amin.

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Choosing the Best Materials for Visual Merchandising Concepts in Luxury Retail Stores

Retail Focus

Metal has a broad application of surface effects and metallic tones formed through various methods such as electroplating and coating that bring a wow factor to the visual display. A sense of contrast . The color combination of beige and metallic tones brings masculinity to match the brand’s image. Easy to obtain .

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Morici reveals production processes behind its Tellux collection of luxury boxes

Design Wanted

Juxtaposing precious woods of different textures and colors, the collection conceptualizes nature within a dynamic framework. The intention was to transform scenery into a graphic language informed by the companyā€™s mastery of color and its ability to create striking, three-dimensional patterns. Step Three: Painting.

Texture 98
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Throwing it Back

VMS

Vintage shapes, color palettes and patterned fabrics are making a comeback across new designs, reflecting the current obsession with reclamation and the classic sophistication of time-worn spaces. Modern Forms’ Rhiannon Pendant. Modern Forms. MANUFACTURER: Modern Forms. MANUFACTURER: Modern Forms.

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The Art of Reclaimed Wood: Bringing Back Life

Elmwood Timber

This also helps ensure a more uniform surface color and finish in the end material. In other cases, different woods may be blended together to form a medley of colors and grain patterns within one area, such as a rustic flooring or paneling. Next, the lumber is rough milled.

Art 52
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David Taylor upcycles scrap materials into ā€œrough-luxeā€ furniture

Design Wanted

Discord the craft of French designer Paul Coenen using the flexibility of sheet metal to form rigid structures in his ā€˜Tensionā€™ series. ā€œI Itā€™s there that he collected slag, the clumps of waste metal left behind in the production of metal, which he used to create a series of colorful candlesticks for Saatchi Galleryā€™s Collect fair.

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Salvatoriā€™s latest collections of sculptural stone unveiled at Milan Design Week

Design Wanted

On display are newly-formed collaborations with the likes of Patricia Urquiola and Stephen Burks , whilst other long-term partnerships, for example with Piero Lissoni , are celebrated once more. It feels like a rebirth as we prepare to get together once again and share our passions.ā€. Taula by Patricia Urquiola. Mirrors by Stephen Burks.

Design 52