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Cult fashion brand Dissh opens first NSW store with pre-loved furniture

Inside Retail

A family affair Founded on the Gold Coast in 2001, Dissh is an Australian fashion brand that is owned, run, and led by women. Each change room has smart lighting installed that allows customers to experience different ambiances through mood lighting.

Fashion 261
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Space-age design informs Nodaleto shoe store by Rafael de Cárdenas

Dezeen

The shop opened in Miami Design District during the city's art week earlier this month, starting a two-year lease in the 1,000-square-metre space (10,764 feet). The studio also linked the shape of Nodaleto 's signature heels to chairs featured in Stanley Kubrick's film 2001: A Space Odyssey.

Space 76
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Gary Card redesigns London's LN-CC store with orange tunnel and LED-lit club

Dezeen

Each room has a very different concept," he added. Visitors enter via an orange wooden tunnel with an octagonal shape reminiscent of the architecture in director Stanley Kubrick 's film 2001: A Space Odyssey. The shoe space, the Midtarsal room, that's engineering to an incredible degree," Crisp said. "We

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DIY with Moooi’s latest design No Screw No Glue

Design Wanted

And as a flat pack, the No Screw No Glue Buffet & Cabinet take up as little space as possible when shipped. A design concept that has had a remarkable journey throughout the years already. A concept that proved its worth time and time again. The venture founded in 2001 is currently led by Marcel Wanders and Robin Bevers.

Design 52
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Storytelling in retail design

CAAD

That is, as a central idea, the concept of Storytelling. Logically, the retail sector should get involved in this concept by putting it into practice first in shop windows and façades, and then inside the shops. Case studies of spaces/shops that are committed to storytelling. What is storytelling? The art of storytelling.

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20 years on, Stufish reveals Britney Spears I’m A Slave 4 U set design secrets

Design Week

On 6 September 2001, Britney Spears headlined the MTV Video Music Awards (VMAs), with the lead single of her third studio album, I’m A Slave 4 U. The technology was still too heavy and too expensive in 2001. “It’s difficult when you’re in the heat of the moment and so focused on delivery,” he says.

Design 145