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5 Lighting Strategies for Interior Design in Commercial Spaces

Fuhrmann Construction

With the right lighting strategies, business owners can create inviting, productive, and visually appealing environments for their commercial spaces. This approach involves combining different types of lighting, such as ambient, task, and accent lighting, to create a well-balanced and versatile lighting scheme.

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5 Lighting Strategies for Interior Design in Commercial Spaces

Fuhrmann Construction

With the right lighting strategies, business owners can create inviting, productive, and visually appealing environments for their commercial spaces. This approach involves combining different types of lighting, such as ambient, task, and accent lighting, to create a well-balanced and versatile lighting scheme.

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In conversation with Aesop general manager, Preet Bains

Inside Retail

Here, Australia and New Zealand general manager Preet Bains discusses the brand’s omnichannel strategy, the sensory appeal of its unique stores and the key to maintaining the relevance of a legacy brand. . How would you describe Aesop’s strategy and approach to physical stores and their role? Please paint me a picture.

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Transforming Workspaces: Exploring the Power of Commercial Office Interior Design

Greater Group

A capable commercial office interior designer will be able to balance the company’s branding with the functional requirements of the workspace in a way that aligns with the entire brand experience. Collaborative and private areas both need comfortable ergonomic furniture to promote employee health and work performance.

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How to Master Retail Design Concepts: Transforming Your Store into a Shopper’s Haven

Greater Group

Where the transaction was once the sole focal point of retail design, modern shopfitters and designers take the entire shopping experience into consideration: Someone glimpses a shop window and enters the shop, then browses and samples or tries on the merchandise, eventually making it to the counter and walking out with a purchase.

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